The central point of the axis is everywhere.
Such that at each point of 'take off' there is potentiality
Potentiality is no-thing and only becomes through our perception. Like looking at a rainbow its
position and shape is unique to every person, their position art etc.
Appleness axis.
Axial rectangle square etc. - canvas board.
Composition
Tradition
Paint
Wood
Metal
Plastic etc.
Style figurative to abstract
Narrative
Method of production
Input of new thinking
Knee jerk-reflexive
Reflective } conscious thought
Impact of consciousness and change of consciousness
Sub-particle physics Judu Krishnamati in 'YOU ARE THE WORLD'
THE UNKNOWN
Tracy Emin's bed
Began with making my own bed out of recycled timber and cast iron bolts four poster
Then thought of exhibiting like Tracy Emin's but it had already been done by Tracy as I began to ponder on this thought there was / is a very obvious difference
Tracy is ready-made-found object.
Mine is made for the purpose.
So what? Tracy's bed is slept in and un-made. It began made/a bed is made. If the bed is slept in and becomes; is transformed by the action of human action into un-made.
This is where Tracy's bed becomes traditional in the history of art sculptural 3d sense.. By the action of the artist a process in art is developed whereby an 'un-making' takes place to arrive at a traditional artistry terms a sculpture in wood/stone/marble/iron
1 To remove bits of stone/wood . Carving is the traditional art part.
2 Hammers and chisels were other tools. Tracy is the hammer acting on the found material it has in some respects (perhaps) has something to do with ready-mades. From a traditional sculptural point of view (axis) it is downright boring That is if (you) are looking for something new to excite (the senses).
3 As a kind of summary
4 Tracy has taken presumably at some point a made bed or raw material it doesn't just have to be just wood or stone.
5 And transformed it by physical action on the creators part into another object that could be called an artistic piece still retaining bediness.
6 Is a bed more a bed slept in rather than un-made.
7 Now this is where (whether Tracy intended it or not [intention is not an issue here])
8 Normally up until Tracy's bed a sculpture is made and art work is created (made)
9 With Tracy's bed we are confronted with an un-made objects. Not only is it un-made and in the sculptural sense worked on physically by the creator - the bed retains all the bits (chippings) that would traditionally be (thrown away discarded and disregarded by the artis)
10 Here nothing is lost which has to bring it into an ecologically sound sense or an ecologically sound axis.
11 Here we have something of the original caught up in an artist endeavours an original idea based on the axis of tradition and boring.
The evolution of words and their relations to sub-particle physics
(I) would like to introduce the possibility of a definition of (art) as a category. "In many ways" delineating the definition, giving it a categoricalisation status. If that were possible then we have to enter a paradoxical situation whereby - along comes Lysza Kolowski with his very careful reasoning into the paradoxical nature of capitalist
Which/that cannot be resolved. (is definition a category?)
When (I) look back at Bertrand Russell's defeating definition by/that paradoxes are resolved by saying they (paradoxes ) are a class underlined member ( describing ) the class and (it) belongs to - is OK. The problem is to what class does our thinking (we) belong to ? Given that say great Britain is a class which has boundaries i.e. it sits in relation to the planet. Such that given the whole planet ( which is a class!) Then any (argument) has to sit within the planet and without further explanation the whole of the line of the argument becomes paradoxical. We are a class of the planet class.
To go further we/us understand that the planet exists in a universe of other planets. If the universe may or may not be bounded by physical laws as we understand them. Such that given the universe as a whole and being as it is a class. As a member of the universe is it possible to resolve the fact that the whole of the universe, the class, and we are a class member.
Tracey Emin, Tate
Tracey Emin, Sussex
Tracey Emin, Whitecube
Tracy Emin
britishpainters.co.uk
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Art / Non Art and The Artworld
The political economy of the artworld depends on the ability to differentiate
"art" as a cultural category distinct from
non-art.
Therefore a first task for the artworld is to get society outside the artworld to
accept their construct of the category of art and be the guardian
of the art / non art differentiation.
The artworld depends on the ability to arbitrarily change
the art / non art differentiation at any time.
For a reliable and largely unquestioned belief or acceptance of "art" as a
category, there must be stratagems
to arbitrate the institution's objects and activities while distinguishing
these from everything else.
The artworld requires the implicit cooperation
of all the participating establishments to
spread the artworld pitch that defines art as a category
Like all cultural oppositions, the artworld is
a structure of mutual entailment. This excludes any appeal to external,
permanent, and perfect ground for art as something
with essential universal properties.
In a complex system of such incestuous relations and dependencies, there is no outside
meaning or value.
Floride and Dental Health
The advice is to brush thoroughly at least twice a day.
It includes instructions for children ages 2 to 6: "Use only a pea sized amount and supervise
brushing and rinsing to minimize swallowing."
Then comes a warning to keep the toothpaste "out of the reach of children under 6 years of age,"
and the ominous advice, "In case of accidental ingestion ... contact a Poison Control Center immediately."
What's going on here? Isn't toothpaste supposed to be good for us?
Isn't that why water supplies are fluoridated?
The newsletter News on Earth challenges this .
Fluoride is an extremely toxic compound originally sold as a bug and rat poison.
A growing body of scientific research suggests it may cause health problems, from cancer and
impaired brain function to brittle bones and fluorosis.
Research is showing that the cavity-fighting power of fluoride may have been overstated.
The new evidence against fluoride comes from
scientists in mainstream institutions and opposition to fluoride is spreading.
"Would you brush your teeth with arsenic?" asks Dr. Robert Carton, a former scientist at the Environmental Protection
Agency "Fluoride is somewhat less toxic than arsenic and more toxic than lead."
Nevertheless, the official support for fluoride is considerable.
Bed
A piece of furniture for reclining and sleeping, typically consisting of a flat, rectangular frame and
a mattress resting on springs.
A bedstead.
A mattress.
A place where one may sleep; lodging:found bed and board at an inn.
Accommodations for a single person at a hospital or institution:a maternity ward with 30 beds.
A time at which one goes to sleep:drank milk before bed.
A place for lovemaking.
A marital relationship with its rights and intimacies.
A small plot of cultivated or planted land:a flower bed.
An underwater or intertidal area in which a particular organism is established in large numbers:a clam bed; an oyster bed.
The bottom of a body of water, such as a stream.
A supporting, underlying, or securing part, especially:
A layer of food surmounted by another kind of food:tomatoes on a bed of lettuce.
A foundation of crushed rock or a similar substance for a road or railroad; a roadbed.
A layer of mortar upon which stones or bricks are laid.
Printing.The heavy table of a printing press in which the type form is placed.
The part of a truck, trailer, or freight car designed to carry loads.
Geology. A rock mass of large horizontal extent bounded, especially above, by physically different material.
A deposit, as of ore, parallel to local stratification.
A heap of material:a bed of wood chips.
bed·ded, bed·ding, beds
To furnish with a bed or sleeping quarters:We bedded our guests down in the study.
To put or send to bed.
To have sexual relations with.
To plant in a prepared plot of soil.
To lay flat or arrange in layers.
To embed.
To establish; base.
To go to bed.
Geology. To form layers or strata.
Idioms:
get into bed with
Slang To become closely involved with another person or group, as in an intrigue:
“The Israelis were experienced at this kind of
[covert]... work, but it was essential that the administration not get into bed with them on this”
(Bob Woodward).
go to bed withTo have sexual relations with.